{"id":1791,"date":"2019-11-19T10:00:13","date_gmt":"2019-11-19T09:00:13","guid":{"rendered":"http:\/\/www.anovapeneira.gal\/?p=1791"},"modified":"2019-11-17T08:25:40","modified_gmt":"2019-11-17T07:25:40","slug":"exposicion-do-artista-moises-iglesias-santos-en-afundacion","status":"publish","type":"post","link":"https:\/\/www.anovapeneira.gal\/index.php\/2019\/11\/19\/exposicion-do-artista-moises-iglesias-santos-en-afundacion\/","title":{"rendered":"Exposici\u00f3n do artista Moises Iglesias Santos en Afundaci\u00f3n"},"content":{"rendered":"\n

O artista do Morrazo e veci\u00f1o de Redondela Mois\u00e9s Iglesias, desenvolve a s\u00faa segunda exposici\u00f3n na sede de Afundaci\u00f3n, na r\u00faa Vel\u00e1zquez Moreno 18 de Vigo, entre o 7 de novembro e o 8 de decembro. A nova Peneira conversou con el, e a verdade foi un pracer charlar, do seu traballo en particular e da natureza da arte en xeral, cun home amable culto e sensible como el. Animo a todas as lectoras e lectores que pos\u00faan sensibilidade art\u00edstica a que se acheguen pola fundaci\u00f3n a gozar coa s\u00faa obra, vailles sorprender en positivo pola s\u00faa gran calidade est\u00e9tica<\/strong><\/h2>\n\n\n\n

Comecemos\npolo principio Mois\u00e9s, de onde es ti?, a que te dedicas\nprofesionalmente e como se iniciou a t\u00faa actividade art\u00edstica?<\/strong><\/p>\n\n\n\n

Eu nac\u00edn en Cangas, paso por moi pouco dos 50,e vivo en Redondela desde hai 15 anos. Estudiei decoraci\u00f3n en Santiago<\/p><\/blockquote>\n\n\n\n

Caramba\nque bonito, e por que decoraci\u00f3n?<\/strong><\/p>\n\n\n\n

Por nada especial, supo\u00f1o que sempre tiven vocaci\u00f3n pola est\u00e9tica. Traballei en empresas familiares, a mi\u00f1a familia tivo ximnasios no Morrazo. E tam\u00e9n tiven moita vinculaci\u00f3n con distintos traballos manuais ata chegar \u00e1 actualidade que traballo en Louriz\u00e1n na antiga escola de capataces<\/p><\/blockquote>\n\n\n\n

E a\nactividade art\u00edstica, cando comezou?<\/strong><\/p>\n\n\n\n

En Xullo do 2.017 comecei a facer a primeira obra de car\u00e1cter abstracto, antes fac\u00eda talla en madeira e alg\u00fan tipo de traballo relacionado co bonsai. Aos 16 meses da primeira obra decid\u00edn expo\u00f1er.<\/p><\/blockquote>\n\n\n\n

Que\ntipo de obras fas?<\/strong><\/p>\n\n\n\n

Sobre todo relevos en madeira con predominio de madeiras nobres recuperadas<\/p><\/blockquote>\n\n\n\n

Cando\nfoi a t\u00faa primeira exposici\u00f3n?<\/strong><\/p>\n\n\n\n

En novembro do 2018<\/p><\/blockquote>\n\n\n\n

Cantas\nobras compu\u00f1an a exposici\u00f3n?<\/strong><\/p>\n\n\n\n

5 esculturas e 19 relevos<\/p><\/blockquote>\n\n\n\n

Pero\na ti que non che co\u00f1ec\u00eda ningu\u00e9n no mundo da arte, como fixeches\npara poderes expor?<\/strong><\/p>\n\n\n\n

Fixen un dosier, con fotos das mi\u00f1as obras e unha pequena explicaci\u00f3n das mesmas e mandeino por correo postal \u00e1 fundaci\u00f3n, e o mesmo d\u00eda que o recibiron xa se puxeron en contacto comigo para darme unha data<\/p><\/blockquote>\n\n\n\n

Canto\ntempo durou a exposici\u00f3n?<\/strong><\/p>\n\n\n\n

14 d\u00edas<\/p><\/blockquote>\n\n\n\n

E\ncomo valoras o seu resultado?<\/strong><\/p>\n\n\n\n

Val\u00f3roo como excelente, non podo dicir outra cousa<\/p><\/blockquote>\n\n\n\n

A\nt\u00faa intenci\u00f3n era s\u00f3 darche a co\u00f1ecer ou tam\u00e9n vender as obras?<\/strong><\/p>\n\n\n\n

As d\u00faas \u00e1 vez, e vend\u00edn 5, 3 esculturas e 2 relevos<\/p><\/blockquote>\n\n\n\n

Caramba,\npara ser a primeira vez que expu\u00f1as o resultado foi impresionante<\/strong><\/p>\n\n\n\n

A verdade \u00e9 que si, foi moi satisfactorio<\/p><\/blockquote>\n\n\n\n

Que\nprezo te\u00f1en as obras?<\/strong><\/p>\n\n\n\n

Naquela exposici\u00f3n a m\u00e1is barata sobre 240\u20ac e a m\u00e1is cara sobre as 4.000\u20ac<\/p><\/blockquote>\n\n\n\n

Cales\nson os criterios que utilizas para p\u00f3rlle os prezos?<\/strong><\/p>\n\n\n\n

Non os puxen eu, derivou dun consenso entre varios artistas, sempre tomando como medida os prezos medios, nin moi por riba nin moi por baixo, nos que se move o mercado<\/p><\/blockquote>\n\n\n\n

A\ncreaci\u00f3n art\u00edstica debe responder unicamente a criterios est\u00e9ticos\nou tam\u00e9n a criterios \u00e9ticos?<\/strong><\/p>\n\n\n\n

Para min a ambos par\u00e1metros. A arte debe aspirar a perdurar no tempo e debe transmitir unha mensaxe subxectiva. Ao meu xu\u00edzo a s\u00faa interpretaci\u00f3n debe quedar a criterio da imaxinaci\u00f3n do suxeito perceptor<\/p><\/blockquote>\n\n\n\n

Estou\nde acordo co da perdurabilidade, pero te\u00f1o unha visi\u00f3n diferente en\ncanto ao outro aspecto que formulas, supo\u00f1o que o artista crear\u00e1 en\nfunci\u00f3n dunha idea previa, e o adecuado ser\u00e1 unha interpretaci\u00f3n o\nm\u00e1is aproximada posible a esa idea, non?<\/strong><\/p>\n\n\n\n

Non, para min non. Eu te\u00f1o unha idea que me inspira a crear ,pero non \u00e9 nada definido nin pechado, vouna modificando a medida que avanza o proceso creativo e para min \u00e9 moi importante a subxectividade interpretativa de cada observador<\/p><\/blockquote>\n\n\n\n

Se\nti creas unha obra e \u00e9 percibida por 10 persoas distintas \u00e1s que\nlle transmite 10 interpretaci\u00f3ns diferentes, non sup\u00f3n un fracaso?<\/strong><\/p>\n\n\n\n

Non, todo o contrario, para min \u00e9 un \u00e9xito rotundo, porque da subxectividade dunha idea inicial naceron 10 interpretaci\u00f3ns diferentes e esa situaci\u00f3n, para min, \u00e9 un \u00e9xito do proceso creativo. De feito eu nin sequera lle po\u00f1o t\u00edtulo \u00e1s mi\u00f1as obras, cada observador ten que formar o seu propio criterio e todos son perfectamente v\u00e1lidos<\/p><\/blockquote>\n\n\n\n

A\ncr\u00edtica ou a denuncia social est\u00e1n presentes no teu proceso\ncreativo?<\/strong><\/p>\n\n\n\n

Non, creo que ese par\u00e1metro \u00e9 puramente obxectivo e de forma abstracta non se poder\u00eda expresar.<\/p><\/blockquote>\n\n\n\n

Ben,\ncomo foi a segunda exposici\u00f3n?<\/strong><\/p>\n\n\n\n

Xa o d\u00eda que rematou a primeira comecei a crear a segunda, que \u00e9 a que estamos facendo hoxe. Leva o mesmo tipo de obras con materiais algo m\u00e1is refinados e precisos<\/p><\/blockquote>\n\n\n\n

Cantas\npezas exp\u00f3s?<\/strong><\/p>\n\n\n\n

Nesta 14 relevos e 3 esculturas<\/p><\/blockquote>\n\n\n\n

De\nque data a que data \u00e9 a exposici\u00f3n?<\/strong><\/p>\n\n\n\n

Do 7 de novembro ao 8 de decembro, malia que cando realizamos esta entrevista acabamos de iniciala, podo dicir que o primeiro d\u00eda foi un \u00e9xito rotundo.<\/p><\/blockquote>\n\n\n\n

P\u00f3dese\nvivir da arte?<\/strong><\/p>\n\n\n\n

\u00c9 moi dif\u00edcil, hai xente que si o ten conseguido, pero \u00e9 dificil\u00edsimo<\/p><\/blockquote>\n\n\n\n

Ti\naspiras a chegar a esa situaci\u00f3n?<\/strong><\/p>\n\n\n\n

Si, claro que si, \u00e9 un sono que te\u00f1o, sempre \u00e9 bonito ter metas elevadas, non \u00e9 nada f\u00e1cil pero eu vou pelexar por elo<\/p><\/blockquote>\n\n\n\n

\u00c1\nhora determinar a calidade ou falta dela dunha obra art\u00edstica, hai\nraz\u00f3ns obxectivas que o poidan marcar con claridade, ou iso depende\nda percepci\u00f3n subxectiva do observador?<\/strong><\/p>\n\n\n\n

Non, non as hai, todo depende do criterio subxectivo do perceptor<\/p><\/blockquote>\n\n\n\n

Temos\nvisi\u00f3ns diferentes Mois\u00e9s, eu creo que si as hai<\/strong><\/p>\n\n\n\n

En moitas ocasi\u00f3ns iso dec\u00eddeo o mercado<\/p><\/blockquote>\n\n\n\n

Son\ncousas diferentes, creo eu, non falo de criterios econ\u00f3micos que por\ndesgraza si os determina o mercado, falo desde unha perspectiva\nt\u00e9cnica da calidade art\u00edstica<\/strong><\/p>\n\n\n\n

Si, vale, para iso est\u00e1n os cr\u00edticos de arte. E en moitas ocasi\u00f3ns a subxectividade do cr\u00edtico, aseg\u00faroche que desprovista de calquera criterio t\u00e9cnico \u00e9 a que move mercado. A arte neste momento est\u00e1 un pouco prostitu\u00eddo, non hai criterios claros que marquen a diferencia entre o \u00e9xito e o fracaso.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

O artista do Morrazo e veci\u00f1o de Redondela Mois\u00e9s Iglesias, desenvolve a s\u00faa segunda exposici\u00f3n na sede de 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