{"id":2104,"date":"2019-12-25T12:00:53","date_gmt":"2019-12-25T11:00:53","guid":{"rendered":"http:\/\/www.anovapeneira.gal\/?p=2104"},"modified":"2019-12-22T21:51:52","modified_gmt":"2019-12-22T20:51:52","slug":"o-musico-pedro-iturralde-deleita-a-redondela","status":"publish","type":"post","link":"https:\/\/www.anovapeneira.gal\/index.php\/2019\/12\/25\/o-musico-pedro-iturralde-deleita-a-redondela\/","title":{"rendered":"O m\u00fasico Pedro Iturralde deleita a Redondela"},"content":{"rendered":"\n

Pedro\nIturralde \u00e9 un m\u00fasico navarro de Jazz do m\u00e1ximo nivel mundial.\nNaceu no ano 1.929, e con 90 anos a\u00ednda ten a forza f\u00edsica e mental\nsuficiente para facernos gozar cos seus concertos. Catedr\u00e1tico do\nREAL CONSERVATORIO SUPERIOR DE M\u00daSICA DE MADRID onde ensinou saxof\u00f3n\ndesde 1.978 ata a s\u00faa xubilaci\u00f3n en 1.994, \u00e9 o \u00fanico espa\u00f1ol,\nxunto con Tet\u00e9 Montoliu inclu\u00eddo no dicionario de Jazz de Larousse.\nRecentemente Pedro tocou en Redondela, e A Nova Peneira non pod\u00eda\ndesaproveitar a ocasi\u00f3n para falar con el<\/strong><\/h2>\n\n\n\n

\u201cTODAS\nAS MI\u00d1AS COMPOSICI\u00d3NS EST\u00c1N NA MI\u00d1A CABEZA DESDE O MINUTO 0\u201d<\/strong><\/p>\n\n\n\n

Como \u00e9 que temos o\npracer de gozar da t\u00faa compa\u00f1\u00eda en Redondela?<\/strong><\/p>\n\n\n\n

Co\u00f1ezo a Elisa (directora e percusora da orquestra de saxos) , e xa toquei aqu\u00ed m\u00e1is veces e agardo que non sexa a \u00faltima, xa que estou encantado de poder tocar en Redondela<\/p><\/blockquote>\n\n\n\n

F\u00e1lanos de ti, onde\nnaciches? <\/strong>\n<\/p>\n\n\n\n

Pois mira eu nac\u00edn en Navarra, e con sete anos tocaba o saxo pero tam\u00e9n aprend\u00edn a tocar a guitarra e o viol\u00edn<\/p><\/blockquote>\n\n\n\n

Logo es un autodidacta\nda m\u00fasica coma Mozart no piano, por po\u00f1er un exemplo…<\/strong><\/p>\n\n\n\n

Non quero facer comparaci\u00f3ns con ningu\u00e9n, comecei de moi novo na m\u00fasica. O Meu pai era m\u00fasico por natureza e mui\u00f1eiro de profesi\u00f3n tocaba moi ben, e del fun aprendendo. Era director dunha banda sempre me ensinaba e corrix\u00eda cando non o fac\u00eda ben, e como era moi querido polos nenos da banda todos me ensinaban.<\/p><\/blockquote>\n\n\n\n

\u00c9 vostede pioneiro no\nJazz en Espa\u00f1a non si?<\/strong><\/p>\n\n\n\n

O Jazz era daquela unha m\u00fasica de baile, hab\u00eda cantantes bo\u00edsimos de Blues. Cando co\u00f1ec\u00edn a escala do Blues que \u00e9 moi diferente a que co\u00f1ecemos de Do, Re, Mi, Fa, Sol, La, Si, Do; escala principal en Europa e Am\u00e9rica. Ao sentirse en liberdade as cantantes de Blues reun\u00edanse na praza do Congo e al\u00ed se formaron e se deron a co\u00f1ecer os m\u00fasicos de Jazz.<\/p><\/blockquote>\n\n\n\n

O meu primeiro \u00eddolo foi un saxofonista chamado Colermo hopkins que fac\u00eda unhas improvisaci\u00f3ns de solos que eran unha obra de arte.<\/p><\/blockquote>\n\n\n\n

E que o Jazz e\nimprovisaci\u00f3n dentro duns par\u00e1metros non?<\/strong><\/p>\n\n\n\n

A improvisaci\u00f3n \u00e9 unha creaci\u00f3n musical espont\u00e1nea pero sobre unha estrutura r\u00edtmico-harm\u00f3nica determinada.<\/p><\/blockquote>\n\n\n\n

Entendo que se o Jazz \u00e9\nimprovisaci\u00f3n \u00e9 moi complicado gravar un disco, pois nunca ser\u00eda\nigual o directo que o gravado<\/strong><\/p>\n\n\n\n

Realmente os m\u00fasicos de Jazz sabemos improvisar dentro da melod\u00eda Sol, Si, Do, Do iso crea compases dentro dunha harmon\u00eda, a improvisaci\u00f3n \u00e9 tocar unha melod\u00eda improvisadamente <\/p><\/blockquote>\n\n\n\n

Vostede e pioneiro da\nfusi\u00f3n Jazz-flamenco…<\/strong><\/p>\n\n\n\n

A min g\u00fastame a musica popular de todas as zonas de Espa\u00f1a de feito tentei facer algo coa m\u00fasica de Navarra. O primeiro disco que fixen quixen chamalo Jazz-flamenco, era tocar cousas do flamenco pero cos sentimentos e ritmos do Jazz. Paco de Luc\u00eda fixo o mesmo.<\/p><\/blockquote>\n\n\n\n

Ala polos 90 Bebo\nVald\u00e9s e o Cigala fixeron unha fusi\u00f3n de Jazz-flamenco cantada, a\nvostede gustoulle esa versi\u00f3n?<\/strong><\/p>\n\n\n\n

Claro que si, por que non? non co\u00f1ec\u00edan o jazz e fixeron unha versi\u00f3n de flamenco-Jazz, eu fac\u00eda Jazz-flamenco.<\/p><\/blockquote>\n\n\n\n

Daquela foi unha\nrevoluci\u00f3n…<\/strong><\/p>\n\n\n\n

Eu te\u00f1o a impresi\u00f3n de que xa daquela a xente co\u00f1ec\u00eda o Jazz e o flamenco, veu que desa a uni\u00f3n funcionou ben. A m\u00fasica tam\u00e9n e sentir doutro xeito, o flamenco tam\u00e9n \u00e9 profundo. O mellor que eu fixen foi unha das canci\u00f3ns populares de Garc\u00eda Lorca, toqueina como Jazz con rumba xitana. \u00c9 flamenco pola esca pero cun acorde funciona como Jazz.<\/p><\/blockquote>\n\n\n\n

Cree vostede que logo\nde percorrer tantos pa\u00edses, co idioma da m\u00fasica poderiamos\nentendernos ben?<\/strong><\/p>\n\n\n\n

Para entendernos todos teriamos que co\u00f1ecer o idioma, coa m\u00fasica \u00e9 diferente. A m\u00fasica son unhas notas que todos co\u00f1ecemos e que fan o papel de unir culturas.<\/p><\/blockquote>\n\n\n\n

Creou obras de moi novo\ncal foi a primeira<\/strong><\/p>\n\n\n\n

A pequena Sharda, esta f\u00edxena de moi novi\u00f1o, normalmente as compo\u00f1o para Saxo e Piano<\/p><\/blockquote>\n\n\n\n

E como se fai para que\nas obras que vostede comp\u00f3n soen tam\u00e9n en calquera instrumento?<\/strong><\/p>\n\n\n\n

Cando comp\u00f3s un tema primeiro pensas no instrumento e logo vas engadindo, corda, percusi\u00f3n, metais ata que chegas \u00e1 maior que \u00e9 a sinf\u00f3nica.<\/strong><\/p><\/blockquote>\n\n\n\n

Pero est\u00e1 todo na s\u00faa\ncabeza ou?<\/strong><\/p>\n\n\n\n

Si as\u00ed \u00e9, dende o momento cero<\/p><\/blockquote>\n\n\n\n

Hoxe na vila temos un\ngrande tocando con outros grandes como son a orquestra de Saxos e\nAberto Vilas…<\/strong><\/p>\n\n\n\n

Para min \u00e9 un pracer dobre tocar con un pianista como Alberto e cunha orquestra de Saxos como a que dirixe Elisa <\/p><\/blockquote>\n\n\n\n

Cree vostede, para\nrematar, si aos xoves talentos se lle dan facilidades para\ndesenvolver o seu traballo poder\u00edan aparecer m\u00e1is e mellore m\u00fasicos\n?<\/strong><\/p>\n\n\n\n

Eu coido que a m\u00fasica nace dentro de un e iso ten que flu\u00edr sexa con facilidades ou sen elas con mestres ou sen eles . <\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Pedro Iturralde \u00e9 un m\u00fasico navarro de Jazz do m\u00e1ximo nivel mundial […]<\/a><\/p>\n<\/div>","protected":false},"author":3,"featured_media":2083,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[270],"tags":[171,206,865],"class_list":{"0":"post-2104","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-redondela-entrevistas","8":"tag-concello-de-redondela","9":"tag-jazz","10":"tag-pedro-iturralde"},"yoast_head":"\nO m\u00fasico Pedro Iturralde deleita a Redondela -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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