{"id":5909,"date":"2021-08-10T10:00:25","date_gmt":"2021-08-10T08:00:25","guid":{"rendered":"https:\/\/www.anovapeneira.gal\/?p=5909"},"modified":"2021-08-06T17:13:43","modified_gmt":"2021-08-06T15:13:43","slug":"o-museo-de-ponteveda-pon-o-feminino-como-protagonista-na-exposicion-mulleres-de-renoir-a-sorolla","status":"publish","type":"post","link":"https:\/\/www.anovapeneira.gal\/index.php\/2021\/08\/10\/o-museo-de-ponteveda-pon-o-feminino-como-protagonista-na-exposicion-mulleres-de-renoir-a-sorolla\/","title":{"rendered":"O museo de Ponteveda pon o feminino como protagonista na exposici\u00f3n \u2018Mulleres. De Renoir a Sorolla\u2019"},"content":{"rendered":"\n

A mostra, aberta ata o 17 de outubro, incl\u00fae medio cento de obras de artistas de renome na transici\u00f3n do s\u00e9culo XIX ao XX <\/strong><\/h2>\n\n\n\n

O Museo de Pontevedra abre esta tarde as portas da exposici\u00f3n que completa a s\u00faa programaci\u00f3n deste ver\u00e1n e que aspira a ser un dos grandes reclamos culturais de Galiza nesta tempada estival: \u2018Mulleres. Entre Renoir e Sorolla\u2019. A mostra re\u00fane medio cento de pezas da Fundaci\u00f3n Fran Daurel con autores como Renoir, Casas, Rusi\u00f1ol, ou Sorolla que po\u00f1en \u00e1 muller como protagonista nos turbulentos anos da transici\u00f3n entre o s\u00e9culo XIX e XX, cando o \u00e1mbito do feminino se convirte nun dos asuntos m\u00e1is tratados pola modernidade.<\/p>\n\n\n\n

O director do Museo de Pontevedra Xos\u00e9 Manuel Rey destacou hoxe a transcendencia e o interese tem\u00e1tico das obras expostas, polo que augurou unha moi boa acollida entre o p\u00fablico que, ao seu entender, non s\u00f3 chegar\u00e1 da veci\u00f1anza e persoas visitantes da capital pontevedresa sen\u00f3n que de todo o pa\u00eds. A mostra estar\u00e1 aberta ata o 17 de outubro no Edificio Castelao.<\/p>\n\n\n\n

\u2018Mulleres. Entre Renoir e Sorolla\u2019 re\u00fane medio cento de obras, entre elas \u00f3leos, debuxos e esculturas. Todas elas trasladan ao p\u00fablico \u00e1 \u00e9poca de efervescencia intelectual e de fondas transformaci\u00f3ns sociais do cambio de s\u00e9culo XIX ao XX e amosan a apertura que o universo feminino comezou a experimentar conquistando novos territorios que pintores e escultores quixeron plasmar de maneira natural. <\/p>\n\n\n\n

\u201cFalamos de Renoir, Sorolla, pero tam\u00e9n de Casas, Nonel, Rusi\u00f1ol, Baixeras, Hugu\u00e9, Palencia ou Gargallo, e outros autores, cuxas obras amosan ademais da visi\u00f3n m\u00e1is tradicional e convencional a chegada da identidade feminina a outros \u00e1mbitos m\u00e1is novidosos\u201d, explicou Rey.<\/p>\n\n\n\n

A comisaria da mostra, Helena Alonso, explicou que as obras inclu\u00eddas na exposici\u00f3n seleccion\u00e1ronse de entre a colecci\u00f3n de Francisco Daurel, cos mellores representantes da pintura e a escultura no cambio de s\u00e9culo. Lembrou que no momento en que destacaron estes artistas Par\u00eds era un centro cultural por excelencia no que a arte \u201cpermeaba\u201d nos diferentes creadores de diferentes disciplinas. <\/p>\n\n\n\n

Do interior \u00e1 conquista do exterior<\/strong><\/p>\n\n\n\n

As obras de \u2018Mulleres. Entre Renoir e Sorolla\u2019 est\u00e1n estruturadas en diferentes \u00e1mbitos. O primeiro \u00e9 o da representaci\u00f3n da muller no \u00e1mbito intelectual, que toma forza no cambio de s\u00e9culo e fai que o tema da muller lectora sexa un dos m\u00e1is tratados na pintura. De feito, a finais do s\u00e9culo XIX, segundo explicou a comisaria Helena Alonso, o \u00edndice de alfabetizaci\u00f3n feminino tripl\u00edcase o que fai que se publiquen obras literarias e revistas que permiten incluso a autoformaci\u00f3n.<\/p>\n\n\n\n

Outro dos apartados \u00e9 o dos espidos, que se mante\u00f1en como un dos \u00e1mbitos de representaci\u00f3n femininos, con tres exemplos na mostra dos autores Masriera, Sorolla e un mozo Benjam\u00edn Palencia. Todos te\u00f1en intencionalidades diferentes marcadas polas tendencias pict\u00f3ricas de cada momento, destacando entre eles o \u2018Espido no div\u00e1n amarelo\u2019, un dos escasos espidos de Sorolla, do que se pensa que a retratada \u00e9 a s\u00faa muller Clotilde, quen non deixaba que modelos posasen para os seus cadros. <\/p>\n\n\n\n

Seguindo o percorrido da mostra ch\u00e9gase ao apartado \u2018Dentro\u2019, en referencia ao interior dom\u00e9stico nas s\u00faas diferentes facetas para as mulleres, \u201cque \u00e9 o lugar onde moitos artistas segu\u00edan situando a representaci\u00f3n do \u00e1mbito feminino\u201d, apuntou Alonso. P\u00e1sase despois a \u2018A conquista do espazo exterior\u2019, onde se pode ver como a muller conquista a natureza, as praias, os teatros ou a propia cidade, idea claramente representada na obra de Antonio Utrillo \u2018Dos Amigas\u2019, na que se ven d\u00faas mozas, de noite, paseando polas r\u00faas.<\/p>\n\n\n\n

O retrato \u00e9 outra das secci\u00f3ns, debido \u00e1 importancia dada pola burgues\u00eda daquel tempo, na que coexisten retratos tradicionais nos que se exaltaban valores de pureza a\u00ednda vixentes, outros nos que a moda era algo a destacar por parte dos pintores e outros con matices expresionistas. <\/p>\n\n\n\n

Finalmente, confr\u00f3ntanse as mulleres traballadoras, moitas veces acompa\u00f1adas dos seus fillos e representadas con grande dignidade, e a Arcadia So\u00f1ada, unha visi\u00f3n das mulleres como as responsables de transmitir valores \u00e1s crianzas que xurdiu tralo fin da I Guerra Mundial. <\/p>\n\n\n\n

Para pechar a mostra, est\u00e1 dispo\u00f1ible unha playlist de Spotify cun c\u00f3digo QR na que se incl\u00faen autores da \u00e9poca que musicalmente influ\u00edron ou se viron inspirados por outras disciplinas creativas do momento: Manuel de Falla, Berthe Sylva, F\u00e9lix Mayol, Erik Satie, e incluso Manuel Quiroga. \u201cQueremos que a persoa visitante co\u00f1eza ese per\u00edodo creativo no que os artistas ti\u00f1an estreito contacto\u201d, subli\u00f1ou a comisaria. <\/p>\n","protected":false},"excerpt":{"rendered":"

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